The opening chapter of Forged With Flames seems as timeless as our continent's contention with bushfire and as immediate as this summer's smoky ruins. It doesn't matter that it tells the events of Ash Wednesday, 1983, because it could be happening to someone, somewhere - today. I read this chapter in the midst of a busy day and at the end had to take a few moments to collect myself. Ann Fogarty, with the assistance of Anne Crawford, tells what happens when "a massive fireball" leaping ahead of a raging bushfire heads straight toward her and her children. I could see an entire movie being made from this one chapter. Perhaps it is the kind of telling only possible so many years later and that is true of much of the rest of the book which is intensely personal and would not be easy to write without the passing of time. It is a well-written book that ensures not only the compelling action scenes, but also the ebb and flow of an entire life, are engaging an
One of the characters I most enjoyed in Michelle de Krester's The life to come is Sydney's inner west. I arrived in Newtown on a yellowy January morning in the early 1980s and lived above King St near the start of Erskinville Rd for six months before a succession of terrace houses across Newtown, Emmore and Macdonaldtown. Coming from the country to study 'Communications' I could easily have been minor character fodder for the author, momentarily shuffling by in ill-fitting jeans alongside the ubiquitous Pippa and George (that is, they are the only characters appearing in all five sections of what is an artfully decentralised narrative). I might not have done too well descriptively from de Krester's pen. She finds a way to poke holes in all of her characters, perhaps with the exception of expat Christabel who is the most downtrodden of characters, but not by the author, who otherwise sustains a mildly scornful, disapproving or comedic tone. For example, Geo
All books are created at least twice. There's the creation in the mind of the author and in the secret place of planning and plotting, drafting and editing. And then there's the creation of the setting of type, placement of headings and illustrations, designing of covers and the committing of print to paper or code to kindle, as it were. In the case of The Pain Book: Finding hope when it hurts by Philip Siddall, Rebecca McCabe and Robin Murray, it is fair to say it is a book created many times over in the lives of real people who have found hope in their pain. The three lead clinicians of Greenwich Hospital Pain Clinic, Sydney, have loved and laboured over this book for many years and more than that, have proved it week by week in the clinic they run, with the patients they support. This process shows in the text which is disarmingly simple and relatively brief when the complexity and vastness of the topic is considered. It speaks of a well-honed message delivered many t
Comments
Post a Comment